Doors at 7:00 pm; Show at 8:00 pm
Tickets are $30 Advance / $35 at the Door
Maestra Series Packages $48 - $150
The Dynamic Miss Faye Carol is one of the premier vocalists of her time. Her unique style and gift of connecting with her audience is astonishing. This Bay Area living legend is a recipient of countless awards and honors inducing 2014 Bay Area Jazz Hero Award, 2016 City of Berkeley Lifetime Achievement Award, and four Cabaret Gold Awards, in addition to her 2015 induction into the Oakland Blues Walk of Fame.
After beginning her career with gospel music, Ms. Carol was an integral part of Oakland's innovative funk scene in the 1960s and later went on to form her own trio. She soon built a reputation as a daringly versatile and consistently creative vocal stylist arranging standards and popular songs in her own unique way.
She has shared the stage with legendary artists such as Albert King, Marvin Gaye, Ray Charles, Billy Higgins, Charles Brown, Bobby Hutchinson and Pharaoh Sanders. Now established as a world-class artist at the top of her craft, today Ms. Carol performs as The Dynamic Duo with talented young pianist Joe Warner and continues to dazzle and delight audiences at home and beyond.
"Faye Carol is one of the greatest singers on the planet...There is nobody singing the blues and jazz like she is." - Charles Brown
Before becoming a prominent figure in women's music in the 1990s, San Francisco native Linda Tillery began her singing career in the 1960s with the gender-integrated psychedelic/soul band the Loading Zone, which was modeled somewhat after Sly and the Family Stone. After two albums with that band, Tillery released her solo debut, Sweet Linda Divine, on CBS in 1970 to enthusiastic reviews and high praise. She spent most of the '70s singing and playing drums on over 40 albums, including efforts by Mary Watkins and Teresa Trull. Having become a staff musician and producer at Olivia Records, Tillery released her second solo album, a self-titled effort, on the label in 1978, garnering a Bay Area Music Award for Best Independently Produced Album; Tillery has twice gone on to win Bay Area Jazz Awards for Outstanding Female Vocalist.
In subsequent years, Tillery collaborated with such female musical powerhouses as June Millington, Deidre McCalla, Barbara Higbie, and Margie Adam, as well as on the Olivia Tenth Anniversary Album, Meg/Cris Live at Carnegie (1983).
In 1985, Tillery released Secrets on her own 411 label; distributed by Redwood Records, it returned her to center stage. In recent years, she has assembled a large band, Skin Tight, which plays jazzy, funky blues, as well as briefly joining the Zasu Pitts Memorial Orchestra. She has also branched out into areas like radio, film, theater, and television commercials, worked for the National Endowment for the Arts, and appeared with artists ranging from Santana to Kenny Loggins and Huey Lewis to the Turtle Island String Quartet, Bobby McFerrin, and Holly Near.
In 1992, Tillery decided to form an outlet for her desire to perform the traditional spiritual music of African-American slaves and their descendants. The Cultural Heritage Choir today includes Tillery and fellow Bay Area vocalists Rhonda Benin, Elouise Burrell, sometime solo artist Melanie DeMore, and Emma Jean Foster-Fiege. The group has released the albums Good Time a Good Time (1995) and Front Porch Music (1997).
Tammy Lynne Hall began playing the piano at age four, in Dallas, Texas, where she was raised by two grandmothers, a grandfather and numerous aunts and uncles. Her earliest memories of the piano were of climbing onto the piano bench and pick out the notes to tunes she heard either on the radio, record player or something the choir sang at church. Later, Tammy became the pianist not just for the Junior Choir at her home church but also the pianist and organist for her godfather’s church in Terrell, TX, some 40 miles away and she was sometimes the rehearsal accompanist for her school choir from sixth grade at Pearl C. Anderson Junior High to her senior year at the Hockaday School. It became evident that Music had chosen Tammy to walk it’s path. Giving full support for this journey were Tammy’s two grandmothers, who pooled their resources to make sure she had access to private lessons from age 8 to 18. Tammy participated in juried recitals, resulting in her winning several awards and honorable recognition in regional and national recitals and competitions. Because of her talent and impeccable academic record, Tammy was encouraged to apply and was accepted to the Hockaday School, where she attended on an academic and musical scholarship, which also led to her attending the prestigious and progressive Mills College in Oakland, CA from 1979 to 1981. Tammy’s grandfather also contributed to her musical journey by showing films of the greats Fats Waller, Dorothy Donegan, Hazel Scott, Duke Ellington and Count Basie; he was one of the first Black projectionists in the country and regularly showed films in his home and at public school auditoriums and churches for the community. These films along with the music she heard on the radio, at church, and the r&b, soul and pop records of the time, even the incidental and theme music she heard on television, all influenced Tammy’s playing. These early experiences would form the triad of Tammy’s core sound: a fusion of Jazz, Gospel and Classical. In pursuit of developing her own voice and the experiences of a ‘Jazz’ life, Tammy left Mills College and gained more improvisational and accompanying experience sitting in with local bands in the Bay Area when visit to Brussels turned into a 2 year stay. During this time Tammy along with saxophonist Dr. Josylyn Segal, formed the quintet Touche Differente (Different Touch), playing in venues and festivals including the Brussels Jazz Club and the North Sea Jazz Festival, Antwerp, France, Holland and Ibiza, as well as performing and recording with the late saxophonist Noah Howard. <br><br>Since returning to the Bay Area in 1989, Tammy has with worked award-winning cabaret singer and actress, Connie Champagne, the Supreme Mary Wilson, chanteuse and actress Debbie De Coudreaux, The Montclair Women’s Big Band, Houston Person, the late David ‘Fathead Newman’, jazz violinists Regina Carter, Jeremy Cohen, Mads Tolling, orchestra leader and bassist Marcus Shelby, guitarist Terrence Brewer, vocalists Kim Nalley, Denise Perrier, Pamela Rose, Linda Tillery and the Cultural Heritage Choir, Holly Near, Lynne Asher, Melba Moore, Miki Howard, Rhonda Benin, Darlene Love, Lady Mem’fis, Veronica Klaus, Diane Witherspoon, Queen Esther Marrow, Ernestine Anderson, Derek Lassiter, Frankye Kelley, Nicolas Bearde, Kenny Washington, Lisa Ferraro Erika Luckett, Karen Drucker and the late Etta Jones. Tammy’s continued involvement with her musical and cultural community include working as an instructor (faculty)/mentor, with a number of non-profit arts organizations making music and theatre accessible to under-funded inner city children and well known and funded organizations such as: Adventures In Music (AIM), under the auspices of the San Francisco Symphony in collaboration with the San Francisco Unified School District, The Handful Players Children’s Theatre (San Francisco public schools/Boys & Girls Club of San Francisco), the Drew School (San Francisco), Jazz Camp for Girls at the Jazz School (Berkeley), The Oakland Public Conservatory of Music, Alameda Unified School District, Stanford Jazz Workshop, Zellerbach Foundation, Yoshi’s and the Jazz & Heritage Center of San Francisco and most recently, Musically Minded Academy in Oakland and the Narada Michael Walden Foundation. Tammy has also accompanied the Porter College Gospel Choir at University of California, Santa Cruz as well as the Inner Light Ministries Choir in Soquel,California, both under the direction of Valerie Joi Fiddmont and shares a Music Ministry with the Centers for Spiritual throughout the Bay Area and California. She has traveled and performed extensively in Japan, Europe and Mexico, including a 30-city tour with Queen Esther Marrow and the Harlem Gospel Singers throughout Germany, Switzerland and Austria. Other venues and festivals of note include Kennedy Center (Mary Lou Williams Jazz Festival), Lincoln Center and Carnegie Hall, Sala Filharmonica (Trento, ITALY), Herbst Theatre, Monterey Jazz Festival, San Jose Jazz Festival, SFJazz Center, Yoshi's Oakland and San Francisco and Kuumbwa Jazz in Santa Cruz, CA.
